19,220 로열티 프리 오디오 트랙들 "Midi Music"에 대한

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Guggisberglied

Ausschnitte aus Schuberts Klaviersonate DV 784

Symphony No. 9, movement 4, Op. 125

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

So fahr ich hin zu Jesu Christ, Schlusschoral der Kantate Der Himmel lacht (BWV 31), Chorstimmen und Trompete

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

Schubert, Op. 4 n. 3.

Schubert, Op. 4 n. 3.

Johann Sebastian Bach, Kantate Höchsterwünschtes Freudenfest (BWV 194), Schlusschoral Sprich Ja zu meinen Taten

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Simple quadruple drum pattern: divides four beats into two. Created in Sibelius.

Chopin's Prelude in C minor modulates within the first three measures.

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

Caribbean Our Father, German adaption Vater unser, Vater im Himmel, Evang. Gesangbuch 188

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

Trebor: Se Alixandre et Hector fussent en vie.

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

Midi of the Bourre II of the II English Suite

Midi of the Bourre I of the II English Suite

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Goodnight, Ladies in Pythagorean tuning. MIDI pitch bend matches intervals.

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Home Sweet Home

Haydn, Sonata Hob. XVI:29, bars 1-4.

Excerpt from Bach's Mass in B minor

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

Popular tune from Latvia Wir, an Babels fremden Ufern (Gotteslob (2013) 438)

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

Old Swedish folk melody, recently combined with the evening prayer Nu sjunker bullret by Lars Thunberg, in German Der Lärm verebbt by Jürgen Henkys. Der Lärm verebbt (GL (2013) 100)

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Midi of the Gigue of the II English Suite

Freut euch des Lebens

Kanon Danket, danket dem Herrn; Evang. Gesangbuch 336; Gotteslob (1975) 283; Gotteslob (2013) 406

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.